Leslie Baker

Leslie Baker has mastered an array of artistic styles and mediums, from representational watercolors and still lifes to rich Vineyard landscapes and large-format oil abstracts. A portrait artist with over 35 years of commissions, her career also includes 15 years as an award-winning children’s book author and illustrator, alongside teaching art from elementary to college levels.

Baker's large-scale oils have evolved from representational subjects to abstract imagery rooted in color theory. She focuses on how colors interact, especially within monochromatic palettes. Her work invites viewers to engage with deliberate color choices selected with a deep knowledge of value relationships. Constantly experimenting with color and light, she nevertheless views her underlying style as a constant, describing herself as a “classical contemporary painter.”

After graduating from the Tyler School of Art, Baker was represented by Philadelphia's prestigious Rosenfeld Gallery. In 2013, she earned Master status at the Copley Society of Art in Boston. A year-round Martha's Vineyard resident since 1997, she was for years represented by the Shaw Cramer Gallery, and recently by A Gallery. Her large landscapes will be featured at The Granary Gallery in West Tisbury this summer.

“I have always made art. It is part of the rhythm of my days… a constant element and constantly evolving part of my life.”

Leslie Baker Paintings Monotypes collages Mixed Media Artist Martha's Vineyard

Abstracts


“What moves me when I am painting is what one color does to another. Color is the subject, and the interaction of the colors is the energy and focus. It’s exciting how the same color can both invigorate and subdue, creating different spatial effects depending on the color placed near it.”

Borderless, I, II & III


Through the Birches (Triptych)


Moving Apart (Triptych)


Mixed Media Collage


Monotypes


A monotype is a unique, one-of-a-kind artwork created by applying paint or ink to a flat surfaced plate (like glass, acrylic, or a metal sheet), and transferring it to paper. Because almost all the pigment is transferred during the pressing process, the result is a singular "one of one" piece that cannot be replicated.

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